Autonomous Sustainable Ceramic. It s a esencial creative guideline based on the archaic and preindustrial process for ceramic art creation. The actual pandemic due to the SARSCOV2 (COVID19) I am sure to be in the right way by planning creating fully independent of the conteporary industry model. 2020 05 02 Armor Bihan.
14-18RH EXPO AT MAT IBAGUE
The painting exposition 14-18RH at the MAT (Museo de Arte del Tolima) have been a great public success, more than one thousand visitors from novembre 2017 to april 2018. I am actually managing for exhibiting in Brittany France for celebrating the century anniversary of the wedding of my grandfather and his survivance of the WWI carnage, in loving memory.
14-18Rh PICTORIAL PROJECT INAUGURATION 16 NOV 2017. 7PM. MAT IBAGUÉ TOLIMA
Bonjour vous êtes cordialement invité(e)s a l´inauguration de ma première exposition personnel au MAT Museo de Arte del Tolima. Jeudi 16 novembre 2017, 19h.
Buenos dias estan cordialmente invitados a mi primera exposición personal en el MAT Museo de Arte del Tolima.
Your welcome to first Art exhibition at the MAT Museo del Arte del Tolima, thursday 16 november of 2017, 7pm.
Relativo al tema de DEBER DE MEMORIA, y con todo el respecto, informo y invito las comunidades al evento cultural que tendrá lugar el Jueves 16 de noviembre 7pm en el MAT Museo de Arte del Tolima. Inauguración de la exposición pictórica del artista Francés residente permanente en Ibague Colombia, docente en Artes Plásticas y Visuales en la Universidad del Tolima, a la exposición: “14-18 Rh Lo que los ojos han visto (ce que les yeux ont vu.)” Laureado del Premio Municipal de Artes Plásticas y Visuales 2016 ( en el marco del PME Programa de Municipal de Estímulo a las Artes). Están cordialmente invitados. Más informaciones en mi página Facebook o en este enlace a la presentación escrita del proyecto. Haz click aquí
Gracias por su atención, cordial y fraterno saludo.
CERÁMICA UTILITARIA TRADICIONAL
Buenos días. Los presente mis ultimas realizacion en creamica ancestral quemada con leña. Por encargo. contacto 3156329861. Piezas de 20 pesitos Colombianos a 50 segun modelo y acabado (liso sencillo y bruñido brillante fino).
Familia
Hermanos
Colibri
Gallina velon y colibri vela
Horno de leña
Loro
Loro
Loro
14-18 RH WIP
Today, I receive the first engravement by sandblasting with the Didot font ontop. PATER NOSTER. Western civilisation morbid industrial strenght, LIBRENOS A MALO.
PONENCIA EN EL CONSERVATORIO SEDE SAN JORGE IBAGUE. PAPEL DE LAS ARTES EN EL CONFLICTO Y POSCONFLICTO.
El documento que presente y comente en el conservatorio de ibague hoy jueves 29 de septiembre de 2016. El propósito mio fue de promover las ideas, de cultura de la paz, deber de memoria y presenta …
PATER NOSTER 14-18Rh#01
This is the first one of the 14-18Rh, just left forteen! And other fifteen of the complementary serie 19-16Rh.
14-18Rh-19-16Rh
14-18Rh+19-16Rh project on the run…Drop in Tune in Drop ut.
2016. PETROGLYPH. ROCK ENGRAVING. SUN EQUINOX#001. TOLIMA. COLOMBIA.
2016. EXTENDED DRAWING#001. CHALK ON ROCK.
Chalk on rock. 40×20 cm. Payande. Tolima. Colombia.
14-18Rh#03
Jour por jour Face a face d´ínconnus pret au massacre pour les interets d´hommes qui se connaissent et ne se massacrent pas!
Dia por dia, carra a carra de desconicidos que van a masacrarse mutuamente por satisfacer los interes de gentes que se conocen y no se masacran!
Day for day, unknowns soldiers ready for mutual massacre to the benefit of men who knows themselves and don´t killed each other!
“La guerre est un massacre de d´hommes qui ne se connaissent pas, au profit d´hommes qui se connaissent et ne se massacrent pas!” Paul Valery
SUPER FULLMOON ECLIPSE MID-TERM SIMPLY AWSOME
It was just unbelivably awsome. For those who wasn t luckyest as I am with the the crisp clear night we had. I sHARE this shoot in full res, it s CC do what U want, just give some credit if use it. Best regards.
2015.09.27 SUNDAY. SUPERFULLMOON ECLIPSE. MIDTERM. CC.
SUPER FULLMOON ECLIPSE OVER IBAGUE TOLIMA COLOMBIA
Today it s a special day, it s the last full lunar eclipse of the TETRADA. I will be ready on the rooftop of my house to shoot this cosmic event.
Watch out this amazing FULLMOON RISING over Ibague city, Tolima, Colombia.
Super Fullmoon rising over Ibague, Digital photography. 500mn nikkor.
PERSPECTIVA ARTIFICIALIS INTEGRAL MATRIX
Hello, today I am proud to share the new method I have work on since two years teaching Perspectiv drawing at the Tolima University. The PERSPECTIVA ARTIFICIALIS INTEGRAL MATRIX It s a brand new original method that blend advantage of three others method, it s more accurate, more versatil for drawing manually complex set.
Thank´s for reading, best regards.
GRAFFITY UPWELLING / SECRET CP.5
Today I have to add a category to my Artistic activities. I begun in Art with the practice of graffity in the mid 80´s in Paris France suburb. I was ten years old a friend show the classical and fatal artbook “Subway art” by Martha Cooper & Henry Chalfant. It was for me a revelation. Saddly I have very few pictures of the first pieces I did in this early stage. So will show a oldschool flavoured piece of my master and mentor in graffiti art.
It´s a kind of upwelling of past and unshowed works. Actually I am exploring other medium and process, but I still have in mind this stage in my life and works. It´s still present the spirit of this period. When and why I enter in matter with the Graffity and Zulu nation movement and why switch off. I grew up with this strong cultural influence, especially from the NYC scene. I lived with my hommies of the hood, this dream in our isolated popular neighbourhood in the outter suburb area of Paris city, very very far from the sunlight and the glamour appereance of the city of the light. We inmediatly recognize us in the Harlem & Bronx kids ways of identity expression, by tagging, painting walls, rapping and dancing. This mood is a state of mind that is screams the injustice, racism of the system. Screaming by the accesible ways of expression, the hanger that is generated to segregated in a ghetto.
In this first post, I am greating my old fellow friend and mentor SHAOLYN. TCB (The Cosmic Boyz), that around 1984 show the hooly book Subway art and iniate me to graffity art. 28 years have passed and still have the sweet memory, and fresh flavor of hard and gooddtime blended. Thnk´s Fred.
ELY1-JACKSN. 1987. by SHAOLYN. TCB. Graffity spraycan on wall. 4×2.7 m. Fosse Rouge 94. Paris suburb. France.
DULCE AMARGO ACIDO #00
This watercolor is from 2003, it s an upwelling that match with the idea of the DULCE AMARGO ACIDO series, so get the serial number #00. This seria is part of the area WORK ON PAPER. LOW TECH. LOW COST.
PEINTURE FRAîCHE #01.02.03.04.
Experiments I did during the painting of my desktop board. It was unexpected and the configuracion I install for protect me from the heavy sun rays, allowed shoot few pictures of some thematics I was interrested in, since I was student at the Lycee des metiers d´Arts du Gue a Tresmes, in the “Peinture publicitaire” dept, contrast between: MATT-GLOSSY . LIGHTNESS-DARKNESS. REFLECTIVITY-NON REFLECTIVITY.
In this series the ephemere is making it all, this hi glossynes state of the matter surface, just have few minuts duration, so the only way to make a trace, it s photography it, each medium in his own especificity. It´s a kind of feedback loop process where, painting and photography, inner and outter field of view , light and shade, are in a perpetual runaway.
Glycerosphatlyque paint on wood. 300×75 cm.
RIVERBED #01
What you see is what you get… red fish on riverbed.
Digital Photography
AMARGO DULCE ACIDO#01
Upwelling of an old idea in watercolor.
WaterColor on paper. 50×35 cm.
14-18 RH #02
Second intent, with just oil painting. Well finally oil allow muddy mood for texture, but not allow so precise trace, cause it´s tooooooo long for dry, it wasn´t what i was expecting and lookin for.
furthermore I will blend the two type of paint (synthetic and oil) in two-phase 1.tracing light gray and black trace 2.gradient texturing of matter in muddy style with oil paint in semifluid consistency 3. background with oil paint in compact consistency apply with ruler pass…
Next will be the good one! Then I will begin the final series of twelve small and medium format, square and 1.6 proportion.
Oil and synthetic paint on glass. 40×25 cm.
TROPISME 